We had another great time at this year’s ANAGPIC conference held at Queen’s University and were able to hear (and participate in) a great program of presentations given by students from the graduate conservation training programs.
The papers and posters presented this year will be published on the ANAGPIC website, but here is a preview of the UCLA/Getty Program’s papers and posters.
Treatment and Technical Study of a Lakota Beaded Hide
This paper discusses the conservation and technical study of a Lakota (est.) beaded hide object in very poor condition. The piece, whose original function is not known, was reported as collected in the late 19th or early 20th century by John Anderson, a photographer living on the Rosebud reservation in South Dakota. It was passed down through family lines until it was recently donated to the UCLA/Getty conservation program. At some point in its history, the piece suffered liquid damage that has drastically altered more than half of the hide area, causing darkening, embrittlement, fragmentation, and damage to the associated beadwork, including localized staining resulting in part from bead corrosion. In order to better understand these alterations and their implications for conservation treatment, a technical study has been undertaken that includes both morphological characterization and materials analysis of the hide and tannins. Continued work has included identification of bead composition and characterization of the various alteration products, as well as consultation with tribal and museum experts about original function and appropriate loss compensation. This object provides an interesting case study for investigating the deterioration of semi-tanned hide and the approach taken in treating such significantly altered material.
The Chemical Characterization and Removal of Lac Dye Staining on White-Ground Ceramics
Cindy Lee Scott and Elizabeth Drolet (UCLA/Getty), Rita Blaik, (UCLA Dept. of Materials Science and Engineering)
A late fifth century B.C. white-ground lekythos from the Antikensammlung Museum in Berlin was loaned to the J. Paul Getty Museum (JPGM) in 2006 to be re-restored and studied. The vessel fragments were poorly assembled with crude shellac in the nineteenth century. As a part of the conservation efforts at the Getty, the vase was disassembled by fuming in a solvent saturated environment of a 1:1 mixture of ethanol and acetone, which caused a pinkish-purple stain to develop. Although numerous materials and techniques were tested, an adequate method for removing the stain has not yet been found.
This paper builds upon the research conducted by conservators and conservation scientists at the JPGM-Department of Antiquities Conservation and the Los Angeles County Museum of Art (LACMA) and aims to characterize the nature of the chemical bond formed between the lac dye- a constituent of crude shellac- and the substrate of the white-ground. The methodology is based on experimental and analytical testing on mock-up tiles and has two phases: first to replicate and characterize the staining and second, to perform cleaning trials using a variety of poulticing materials and organic solvents to adequately reduce or remove the staining without altering the white-ground surface. <BR>
A Comparison of Block Lifting Materials and Techniques
Lily Doan, Nicole Ledoux, and Robin O’Hern
Technical Study and Conservation of an Apache Coiled Basket
The Conservation and Reburial of a Greco-Roman Wall Painting: The Site of Karanis, Fayum, Egypt